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; Comedy; Runtime=78 Minute; directed by=Dean Parisot; country=Italy

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Bill and ted face the music amazon. Bill and ted face the music reviews. Bill and Ted are back after 30 years. But does Bill & Ted Face the Music live up to the legacy of the first two films? Bill & Ted Face the Music is now available in select theaters and on digital release. Before you watch the movie, check out GameSpot's look on how the Face the Music never would have happened without the friendship of Keanu Reeves and Alex Winter, as well as an explanation of why there will likely never be a Bill & Ted 4. It's been a rough year for practically everyone. Many of us are stuck at home, unable to see friends, go on vacations, or even make a simple trip to the movies. Initially, 2020 was set to be a pretty fantastic film year, with new entries in a variety of beloved franchises, from Fast & Furious to Ghostbusters. Practically all of them, including upcoming Marvel Cinematic Universe films, have been delayed as far as deep into 2021. One highly-anticipated movie, though, simply couldn't wait that long. Bill & Ted Face the Music arrives in select theaters and on digital release on Friday, August 28. It's the first film in the series since 1991's Bill & Ted's Bogus Journey. Face the Music has been in the works for over a decade, but even with that much development, the prospect of revisiting this franchise after so long is a scary one. Can it live up to the hype? Will it be a worthy entry into the existing canon? Could these 30-year-old characters even resonate in the modern day? Thankfully, the answer to all three of those questions is a resounding yes. Bill & Ted Face the Music is practically everything you could have asked for, and more. After 30 years, Bill (Alex Winter) and Ted (Keanu Reeves) are all grown up, have families, and yet are still the same slacker duo that are trying to unite the world with a single song. Unfortunately, it hasn't been working out and they are visited by someone from the future who tells them their time is up. Now they have 78 minutes to come up with the song that will save the universe. Not too tall of an order, right? The key to this movie, just like others in the franchise, is the duo's performances. They're able to, for the most part, easily embody the characters they haven't played in nearly three decades. There is an isolated moment or two when it sounds like Reeves is playing Reeves, rather than Ted. Then again, that might also be due to the fact that the actor has transcended movies to simply become a person whose voice many would instantly recognize, regardless of context. The chemistry between these two characters is as palpable as ever, likely due in part to the long-lasting friendship between the two actors. And the characters share more than just the bond of friendship, as they're both faced with their failure to achieve their potential in life. That makes it all the more engaging as they race against the clock to finally prove to themselves what they are capable of. If you've seen the trailer you have some idea about their story in the film, as the duo jump in the phone booth once again to visit different versions of themselves on their journey and, honestly, each iteration of Bill and Ted you meet in the film is entertaining and worthy of a bit more screentime. If anything, that's the film's most notable flaw: At just over 90 minutes, Face the Music moves quickly and there are scenes you're likely going to want to see more of. Theirs is only one of the movie's stories, though. The film also introduces their daughters, Billie (Brigette Lundy-Paine) and Thea (Samara Weaving), who nearly steal the show throughout. As Bill and Ted's kids, they are obviously best friends and love music and hanging out just as much as their dads. However, they're also brilliant. Seriously, they're geniuses. Whereas Bill and Ted rarely think their plans through or process what the next step will be, Billie and Thea are well-reasoned and incredibly intelligent--while still hanging onto many of the personality quirks they've picked up from their parents. Lundy-Paine, in particular, is incredible as the daughter of Reeves' Ted, embodying some of his traits while also making the character her own. The rest of the cast more than holds their own in supporting roles, with some truly exciting standouts. The most notable is Kristen Schaal's role as Kelly, daughter of Bill and Ted's time-traveling mentor Rufus (George Carlin). She sets the duo on their new journey and, of course, winds up just as entangled with them as her dad--who makes a brief appearance using repurposed footage. Additionally, Gotham and Barry star Anthony Carrigan appears as a futuristic cyborg that ends up becoming one of the most hilariously sympathetic characters in the second half of the film. Lastly, it's impossible to talk about this movie without mentioning William Sadler reprising his role as Death. The character of Death was one of the best things about the original sequel, Bogus Journey, and 29 years later, Sadler still perfectly embodies the character. He also benefits from possibly more character development than anyone else in the film, as viewers will learn a lot about what he's been up to since the events of Bogus Journey. That development makes him the emotional core of the second half of the film. What's most important about Face the Music is that it feels like a Bill and Ted movie. The visual effects have been upgraded, there are a bunch of new faces, and Bill and Ted are no longer teenagers. Still, the movie's energy fits right alongside Excellent Adventure and Bogus Journey. Ed Solomon and Chris Matheson, who have co-written all three of these movies, told GameSpot that this is--in their mind--the final chapter in the story of Bill and Ted. If that is truly the case, they've left on a high note. That's far more than one could have expected when this movie finally became a reality. As excited as fans were, there was a very real possibility it would never meet the hype. Thankfully, it blew it out of the water. Want us to remember this setting for all your devices? Sign up or Sign in now! Please use a html5 video capable browser to watch videos. This video has an invalid file format. Sorry, but you can't access this content! Now Playing: Bill And Ted Face The Music - Official Trailer Disclosure: ViacomCBS is GameSpot's parent company.

Bill and ted face the music us release date. Bill and ted face the music wiki. Bill and Ted Face the music play. A rguably—or maybe even inarguably—the spirit of a movie counts more than any objective ideal of quality. You can’t inject a soul into a movie in the editing room; it’s either got one or it doesn’t. There are people who have been waiting nearly 30 years for Bill & Ted Face the Music, the follow-up to Bill & Ted’s Excellent Adventure (1989) and Bill & Ted’s Bogus Journey (1991), and there are people who haven’t been waiting at all. But what people want from Bill & Ted Face the Music matters a lot less than what it actually is, a crazy, imperfect but deeply gratifying burst of optimism at the end of what has been—inarguably—a terrible summer. Its ramshackle earnestness, its certainty about nothing beyond the fact that we need to get our act together as human beings, is its great strength. Alex Winter and Keanu Reeves were in their mid-twenties when they first played Bill Preston and Ted Logan, a duo of goofy but open-hearted teenage guitar obsessives from San Dimas, Calif., who change the world—and pass a history class—via a time-travel machine disguised as a phone booth. In the first movie, they meet the 15th-century princesses who will become their wives, Joanna and Elizabeth; in the second, they outwit Death in a game of Twister. At the very beginning, they were told that their fairly lame band, Wyld Stallyns, would end up making music so great that it would foster a future utopian society. But as Bill & Ted Face the Music opens, Bill and Ted, well into middle age and still noodling around with their guitars, have not yet produced any game-changing toonz. And although they’re married to their beloved princesses (here played by Erinn Hayes and Jayma Mays), there’s a bit of trouble in suburban paradise: both couples have signed up for counseling, and because Bill and Ted can’t envision doing anything independently of one another, they make it a group affair. Their identities are so entwined, even as they push 50, that they haven’t really figured out how to be adults. Read More: Why It Took Keanu Reeves 30 Years to Become an Overnight Sensation They and their wives have, however, produced two lovely teenage daughters: Billie (Brigette Lundy-Paine) and Thea (Samara Weaving) are named after their dads, and they take after them, too. Thea has a slouchy gait and a curtain of floppy dark hair; Billie is blond and effervescent, a spring of nervous energy coiled within her. The young women are best friends, just as their dads are. And they’re dismayed when they find out their fathers are in trouble: A messenger from another world, Kelly (Kristen Schaal), touches down in a giant egg to whisk Bill and Ted into what has turned out to be a not-so-utopian future. She’s the daughter of Rufus, the time-traveling emissary played in the earlier movies by the late, great George Carlin (who appears here briefly in hologram form). And it turns out that her mother, Rufus’ widow—played by Holland Taylor in a fabulously imperious sparkle cape—has some dire news for Bill and Ted: because they have not yet produced the song that will change the world, reality as we know it will end in 77 minutes and 25 seconds. Which is pretty much, at that point, the movie’s remaining runtime. Brigette Lundy-Paine and Samara Weaving, flanking Kid Cudi, play Bill and Ted's teenage daughters. Orion Pictures How do they pull it off? The answer involves time travel, of course, but also Jimi Hendrix, Louis Armstrong, a killer robot named Dennis Caleb McCoy, the mythological Chinese flautist Ling Lun, and Death (once again played by the marvelous William Sadler). The princess wives and, especially, Billie and Thea also play key roles: The girls believe so wholeheartedly in their dads, including their not-quite-proven ability to make music, that they jump in to help, proving that the next generation is ready and able to take the reins. Bill & Ted Face the Music is a cosmic swirl of a movie, as unapologetically ridiculous as its predecessors were. The script is by Chris Matheson and Ed Solomon, who wrote the two earlier movies and created the characters of Bill and Ted; the scenarios they’ve cooked up here grow more outlandish by the minute, which is part of the fun. The director is Dean Parisot, and what he, his writers and his actors have pulled off here is so positively nutso, and so sweet-spirited, that he deserves his own statue in a utopian movie future. Parisot also directed the extraordinary 1999 science-fiction/fantasy spoof Galaxy Quest, which has become a cult classic for a reason. Bill & Ted Face the Music doesn’t have the same glorious comedic ebb and flow of that film, though it does have a similarly generous beating heart. William Sadler plays Death. And that, again, is something no movie can fake. The Bill & Ted movies, including this one, work because Winter and Reeves have always taken these not-very-serious characters seriously. As teenagers, Bill and Ted were daffy and joyous, innocently horny but also unfailingly gallant, kind of dumb but intuitive in all the ways that count. Winter’s Bill still has that goofball electric energy; Reeves’ Ted is more laid back, and more philosophical. Yet there’s something piercing about seeing them now as middle-aged guys who haven’t been able to pull off everything they once dreamed of—they’ve aged well, physically, but even so, their zest for life has flagged. It happens to almost everyone. Still, things could be worse. The plot of Bill & Ted Face the Music introduces us to future would-be versions of Bill and Ted who aren’t quite so nice: In one scene, they’re bulked-up prison inmates, tattooed and pissed off; in another, they’re paunchy rock stars who have adopted phony, Madonna-style British accents. These sour versions of Bill and Ted are so implausible that they’re hilarious—Winter and Reeves run with them, delight in them. The time-travel conceit of Bill & Ted Face the Music allows these characters to reflect on a lesser reality that might have been, had they and their families not intervened. And they shape the future by remembering the contributions of those who made the best of the past. Bill & Ted Face the Music is the feel-good movie of this infinite time loop, and the next. And although it’s pure fantasy, it also represents a leap of faith we all have to be willing to take. Even without time-travel phone booths, people have the power. Get The Brief. Sign up to receive the top stories you need to know right now. Thank you! For your security, we've sent a confirmation email to the address you entered. Click the link to confirm your subscription and begin receiving our newsletters. If you don't get the confirmation within 10 minutes, please check your spam folder. Contact us at.

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